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The Statue which Grapgically Reminds Nanjingers of what is inside the Memorial Hall Museum.
24 August 2014
Play goes on here in Nanjing at the Second Summer Youth Olympic Games and I am still enjoying it hugely. We are now in the second week and heading for the finish line. In watching young people with a maximum age of 18 go about their competition I must say my eyes now have become attuned to seeing them as full adult competitors and not as younger versions of the 'main' Summer Olympic Games. The kids here to me look the same and play with as much commitment. It's been great to see them evolve and 'grow up' as it were...
But yesterday on Day 12 of being here for those of us interested in seeing Nanjing and global sport in a historical perspective of then and now there was a reminder that was not so much fun to see. But a couple of us had to do it.
In my diary here is my report which I have also repeated for the front page news of keithquinnrugby.com
Diary...24 August 2014
A rainy Sunday in Nanjing and I wasn't starting my work day here at the 2nd Summer Youth Olympic Games here till early afternoon. That meant there was time for my good mate, the British commentator John Burgess and I to head out on a sightseeing trip. Did I say sightseeing? That word hints at visiting fun tourist attractions with lively sights to see. But this morning's trip was anything but...
What we went to understand for ourselves was the Nanjing Massacre Memorial Hall which is, according to the hand-out pamphlets, 'a memory to the most heartbreaking chapter in this city's history.' And my word it is just that.
If you know your history you know the story. Over a period of six weeks in late 1937 the city of Nanjing (then called Nanking) was attacked by Japanese invaders. What followed was not an occupancy but a massacre, the likes of which makes it one of the worst ever atrocities in global history. It might have gone unnoticed in historical significance but for one German John Rabe who wrote a diary of the revulsion called 'The Rape of Nanking.'
The invaders systematically attacked local residents as they went about their daily business and in just weeks a series of mass-murders, beheadings, live burnings and burials of humans and mass-rapes took place. No one quite knows how many died but all around the grim monument we visited today the number 300,000 was posted in large letters. That many are estimated to have fallen victim.
The museum was modern, well organised and deeply affecting. It was also very well supported by the local public today. We visited on a Sunday and had to queue in the rain to get in. As one slowly approaches the entrance a series of sculptures are passed, depicting the horror and terror the people and its city suffered. And once inside we had to jockey our way through pressing crowds.
I noted two things; there were kids there of all ages - and the taking of photographs of the horror displays were not stopped in any way. I snapped off dozens of pics myself and bought a commemorative book. But they will be probably be only looked at by myself in the future. I cannot imagine ever wanting to say to anyone in my family or friends, 'oh, can I show you my Nanjing Massacre shots?' I suspect my friend John will be the same.
They will instead become a personal reminder of witnessing one of the worst examples of man's inhumanity to man.
A couple more things from the visit; the first was the seeming fairness of the displays we were seeing at the museum. It is not a place which points a stabbing bloody finger at Japan to remind the locals of the 'yellow peril' that ravaged their city nearly 80 years ago; as if to keep their feelings boiling.
Far from it, the museum seemed to take a down-the-middle stance and just presented facts, graphic though they were, of those terror times. I looked at the little kids here today, walking through quietly with their parents and wondered what the children were being told as each display of revulsion was passed. No doubt every family which has a long history of living in this city would have lost at least one member, and probably many more, in the disgust of the historical chapter. The whole thing was one of the most moving experiences I have ever had.
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And then, quite by coincidence after John and I had started work on a late shift of commentary, there was a reminder of Olympic hope for the future presented right in front of me.
Along with an Australian Peter Blackburn and a South African Duane Dell'oca we were the commentators for a couple of finals at the China Tennis Academy.
In the last of the tournament's week a young man by the name of Jampei Yamasaki played off in the mixed doubles final's gold medal match with his partner Ye Quiyu (pronounced 'Yer Kway Yoo'). Here was a Japanese male playing together in a sporting contest with a young Chinese woman as his partner; surely that should be seen as a very significant way to look to the future now with optimism. Say what you like about them but the Olympic Games movement in particular is doing great things to encourage a global togetherness via their Summer Youth Olympic event.
As it turned out Yamasaki and Ye did not win; in a very tight final they lost to a European pair of Jan Zielinski and Jill Teichmann. (Mind you I guess we could have drawn historical connections over the winner's two countries too -Switzerland and Poland).
For me though I had hoped the Asian pair would have prevailed in the match, even if it was just to be a personal reminder today that the world has moved on physically from the revulsion from the past, if not ever totally from the memories.
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In Port Elizabeth the Springboks complete a 4-test rout of Fred Allen's touring team. Ouch! This series really hurt!
Ella, Mark
New South Wales and Australia
25 internationals for Australia 1980–84
Ella, Gary
New S
uth Wales and Australia
6 internationals for Australia 1982–88
Ella, Glen
New South Wales and Australia
4 internationals for Australia 1982–85
Three brilliant Australian aboriginal brothers who, in combination at either school, club, state or international level, dazzled and delighted rugby crowds with their backline interplay.
The Ella brothers came from a modest family of 12 children in La Perouse, Sydney. Glen and Mark were twins and Gary was 13 months younger. Mark was a flyhalf possessed of brilliant balance, speed and intuition; Glen, a fullback who sometimes played as a centre, and Gary, a long-striding runner, who was used mostly as centre and occasionally on the wing.
The brothers first made headlines as schoolboys. Their uncanny understanding of each other’s play brought suggestions of telepathic aboriginal powers – when viewing some of their tries and plays it was often hard to argue otherwise. From Matraville High in suburban Sydney, all three made the 1977–78 Australian Secondary Schools touring team which went on a nine-week tour of the United Kingdom, France, Japan and the Netherlands.
The team went unbeaten in 16 games. Australian writers were quick to point out that only the 1924–25 All Black ‘Invincible’ team had done as well on tour in Britain. The team also scored 110 tries on the tour (averaging nearly eight a game), and between them the Ella brothers scored a quarter of all the points.
Everywhere the team went the Ella brothers were high in curiosity value for the media. Nor did they let the reporters down. They became stars of the Australian rugby scene before they had even left school. It was inevitable that in time their talents would be utilised in the Wallabies.
Mark was the first to make the grade. After having shone for his club Randwick, Sydney and New South Wales, he toured to Argentina with the Wallabies in 1979 and thereafter became a regular and vital member of Australian test sides. He was made captain for the Wallabies tour to New Zealand in 1982, when aged only 23, and led the team until 1984 when a new coach, Alan Jones, preferred Andrew Slack. That did not deter Ella from playing brilliant rugby and on the 1984 tour of Britain, though seemingly at odds on a personal level with Jones, he was one of the team’s brightest stars. He became the first touring player in Britain to score a try in each of the home internationals, a feat he had also achieved on the schoolboys’ tour seven years earlier (though that team did not play Scotland).
Mark Ella retired at the age of 25, having played 25 internationals, amid rumours that he could no longer tolerate playing in teams coached by Alan Jones. He resisted many lucrative offers to play rugby league and settled into a life as a businessman, TV commentator and newspaper columnist. He returned to Sydney club rugby in 1989 and also played and coached in Italy.
Twin brother Glen and younger brother Gary also played for Randwick in Sydney and both joined Mark in the Wallabies for the 1981–82 tour of Britain. Injuries damaged both their chances of playing consistently on that tour and neither joined Mark in the international matches.
The trio’s best tour for their country was to New Zealand in 1982. Mark was captain and, along with David Campese, he was the team’s star player. Glen was an excellent fullback but could not force his way into the test team ahead of Roger Gould. Gary’s form was such that he made the first two tests at centre. Once again the brothers’ consummate passing and mutual understanding surprised opposition backlines and astonished the hard-to-please New Zealand crowds.
Surprisingly the three Ella brothers never played together in a test match. Gary retired with a knee injury in 1986 and Glen bowed out after being part of yet another Randwick championship winning team in 1987. he became a top coach, leading Australia on many seven aside trips as well as being assistant coach for the Wallabies. Gary returned to play one test against the All Blacks in 1988.
Former Wallaby coach Bob Dwyer, who had coached the trio for Randwick and Australia, said ‘the influence of the Ella brothers on Australian rugby has been absolutely immeasurable.’ They were best summed up by the word that was coined by Australian journalists to describe their play – ‘Ellamagic!’
Which prominent New Zealand rugby personality admits having become slightly besotted by the British Theatre Production 'Les Miserables?'
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