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20 August 2017
I watched a lot of Colin Meads playing on the rugby field. I am of the age that can say that. Shamelessly I can say I loved the way Colin Meads changed the game for previously lumbering second row forwards, which I was myself, albeit at a club level only. Meads showed us all another way to play.
But having been paid to talk about rugby, and follow the bouncing in my career I modestly claim to be ablre to judge players of a certsain time and type against each other on the field of plzay.
In writing this piece (which first appeared this winter in 'NZTODAY' magazine) I only claim to be able to offer one man's opinion. So here goes with my reflections as swhere I feel Colin Meads sits in the Pantheon of New Zealand rugby stars.
[A further backgrounder; I once shook hands with and had a few beers with the great Billy Wallace of the 1905-06 All Blacks - which I mention only to emphasise how far back I can go to at least talking to old players and weighing up what their opinions were too.]
in 2016 I went on TV1’s breakfast show when it was confirmed the great man of the modern All Black rugby scene, Richie McCaw, had retired. The then Prime Minister John Key was on the same show being interviewed in his regular Monday slot. I was next on.
To finish Mr Key was asked to comment on McCaw's departure and reflect on his place in the game of rugby in New Zealand’s history. The PM replied along the lines that ‘Richie was the greatest’ and he gave good reasons to back up his view. Fair enough. One man's opinion.
I was on next, principally to also talk about McCaw. ‘Do you agree McCaw is now the greatest All Black?’ I was asked.
I think I spoke firmly when I said, ‘No I don’t. To me there are two men above McCaw – they are those who changed the way the game is played in the world. One is Colin Meads and the other - Jonah Lomu.
My rationale was that ‘before Meads came into rugby, physically big men ho wanted to play were automatically put into the forwards to push, scrum and jump in the lineouts. They did little else in the game, except perhaps to trudge to do the same thing at the next set play.
Colin Meads broke that mould. He was the first forward to run fast, athletically, with the ball in his hand, while dummying and swerving. Soon every team in the world had running forwards trying to be like Meads. They still do today.’
I also added that Lomu came out of the Meads manner of making change. Except that Jonah was the first athletic big man to be sent to play in the backs; now every team has Lomu lookalikes.
So Colin Meads in his time was a revelation in the way he played. It must be said he was not a saint or a perfect person, but young watchers of the game these days who see the grainy videotapes of him in action perhaps do not realise that brute play and physical domination, sometimes by force or intimidation, while not approved, often had to be a big part in your team’s chances of winning. That’s how life was then. There were no touch judge flags, no video replays, no TMO’s; just basic retribution handed out on the field if necessary.
Meads was very good at presenting his authority (or unorthodox ball-winning strategies as one writer called it) during any game he played.
But the other very significant thing I love about the Meads legacy is that when his time on the playing field was over in 1971 (and he was an All Black for 15 seasons) he continued to give so generously to the national game and its image.
It could be said that by the number of times he journeyed up and down the country talking rugby to clubs and sporting organisations, by entertaining people as one of the all-time great after-dinner speakers (always with a beer in hand), and helping those in need, via significant, worthy but sometimes tiny and insignificant charities, he perhaps gave more to his country than he may have given to his family or even himself. Colin Meads has made in his life an unaparalleled offering to everything near or around what is, some might say, just about following a bouncing ball.
What I saw in Te Kuiti with the unveiling of the statue of him this year, and with the opening of the Meads Brothers Exhibition which also honoured his brother Stan, then the afternoon’s ‘bit of a tribute do’ dinner (as it was lovingly but officially called), and the crowds blocking the street to see, touch and be near him one more time, was something this absolute fan will never forget.
It's only one man's view - but I say it's Meads #1, Lomu #2 and Richie McCaw for leadership, commitment and longevity, #3.
by Keith Quinn
The All Blacks and Scotland end at 0-0 - the most recent occasion (up till 2014) that the ABs have had this 'nil/nil' score in a game.
GEFFIN, AARON (‘OKEY’)
Transvaal and South Africa
7 internationals for South Africa 1949–51
A prop who made the headlines in 1949 when his prodigious goal-kicking for the Springboks helped them to beat the touring All Blacks 4–0 in the test series.
In the first test New Zealand led South Africa by 11 to 3 at one stage. Goal-kicking duties had been allotted to the Griquas fullback, Jack van der Schyff, for the match, but after he missed two shots Geffin picked up the ball and, uninvited, took the next penalty.
Geffin put over five penalty attempts, virtually beating New Zealand, 15–11, on his own. It was a record number of penalties for any player in a test match up to that time. He did the same in the third test, scoring all of South Africa’s points in its 9–3 win, and in the other two tests he kicked three further goals.
Hailed as a hero that year, Geffin made the Springbok team for the 1951–52 tour of Britain where he also scored impressively with seven conversions –a test record – against Scotland. South Africa won 44–0.
By then Geffin was 31 years old and he eventually lost his place in the Springboks’ scrum. But he will always be remembered as a match-winner by fans of the Springboks – and by disappointed New Zealanders!
His nickname of Okey came from his habit of responding ‘Okay’ when called to take a shot at goal.
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