Thinking and talking about rugby every day for 50+ years
20 August 2017
I watched a lot of Colin Meads playing on the rugby field. I am of the age that can say that. Shamelessly I can say I loved the way Colin Meads changed the game for previously lumbering second row forwards, which I was myself, albeit at a club level only. Meads showed us all another way to play.
But having been paid to talk about rugby, and follow the bouncing in my career I modestly claim to be ablre to judge players of a certsain time and type against each other on the field of plzay.
In writing this piece (which first appeared this winter in 'NZTODAY' magazine) I only claim to be able to offer one man's opinion. So here goes with my reflections as swhere I feel Colin Meads sits in the Pantheon of New Zealand rugby stars.
[A further backgrounder; I once shook hands with and had a few beers with the great Billy Wallace of the 1905-06 All Blacks - which I mention only to emphasise how far back I can go to at least talking to old players and weighing up what their opinions were too.]
in 2016 I went on TV1’s breakfast show when it was confirmed the great man of the modern All Black rugby scene, Richie McCaw, had retired. The then Prime Minister John Key was on the same show being interviewed in his regular Monday slot. I was next on.
To finish Mr Key was asked to comment on McCaw's departure and reflect on his place in the game of rugby in New Zealand’s history. The PM replied along the lines that ‘Richie was the greatest’ and he gave good reasons to back up his view. Fair enough. One man's opinion.
I was on next, principally to also talk about McCaw. ‘Do you agree McCaw is now the greatest All Black?’ I was asked.
I think I spoke firmly when I said, ‘No I don’t. To me there are two men above McCaw – they are those who changed the way the game is played in the world. One is Colin Meads and the other - Jonah Lomu.
My rationale was that ‘before Meads came into rugby, physically big men ho wanted to play were automatically put into the forwards to push, scrum and jump in the lineouts. They did little else in the game, except perhaps to trudge to do the same thing at the next set play.
Colin Meads broke that mould. He was the first forward to run fast, athletically, with the ball in his hand, while dummying and swerving. Soon every team in the world had running forwards trying to be like Meads. They still do today.’
I also added that Lomu came out of the Meads manner of making change. Except that Jonah was the first athletic big man to be sent to play in the backs; now every team has Lomu lookalikes.
So Colin Meads in his time was a revelation in the way he played. It must be said he was not a saint or a perfect person, but young watchers of the game these days who see the grainy videotapes of him in action perhaps do not realise that brute play and physical domination, sometimes by force or intimidation, while not approved, often had to be a big part in your team’s chances of winning. That’s how life was then. There were no touch judge flags, no video replays, no TMO’s; just basic retribution handed out on the field if necessary.
Meads was very good at presenting his authority (or unorthodox ball-winning strategies as one writer called it) during any game he played.
But the other very significant thing I love about the Meads legacy is that when his time on the playing field was over in 1971 (and he was an All Black for 15 seasons) he continued to give so generously to the national game and its image.
It could be said that by the number of times he journeyed up and down the country talking rugby to clubs and sporting organisations, by entertaining people as one of the all-time great after-dinner speakers (always with a beer in hand), and helping those in need, via significant, worthy but sometimes tiny and insignificant charities, he perhaps gave more to his country than he may have given to his family or even himself. Colin Meads has made in his life an unaparalleled offering to everything near or around what is, some might say, just about following a bouncing ball.
What I saw in Te Kuiti with the unveiling of the statue of him this year, and with the opening of the Meads Brothers Exhibition which also honoured his brother Stan, then the afternoon’s ‘bit of a tribute do’ dinner (as it was lovingly but officially called), and the crowds blocking the street to see, touch and be near him one more time, was something this absolute fan will never forget.
It's only one man's view - but I say it's Meads #1, Lomu #2 and Richie McCaw for leadership, commitment and longevity, #3.
by Keith Quinn
The ABs win in the Wellington wind v France!
Ships couldn't berth on this fierce stormy day but the test went ahead anyway. NZ won 5-3 and hundreds of hats and scarves disappeared forever!
Royal Air Force, Leicester and England
85 internationals for England 1984–96
6 internationals for British Isles 1989-93
Leicester, Newcastle and England
27 internationals for England 1992-98
1 international for British Lions 1997
Two dashing brothers who were regular wingers in England’s selections in the 1980s and 90s.
Dealing first with Rory, who was the elder by nearly six years. He was a dashing wing, as befitted his occupation as a flight lieutenant in the Royal Air Force. At the end of his career he had played 85 internationals for England, a record total till beaten by Jason Leonard. His total of test tries scored was also an England record, with 49 scored (plus one in a Lions test) boosting his final total to 50. This placed him second on the all-time test try-scoring record, behind David Campese’s 64 tries. Ironically his final tally of test tries came during a time when England was in a period of playing mostly ten-man rugby. Rory Underwood gained a reputation for being underused on occasions but having a rare talent for scoring tries when the ball did come his way.
Rory was born in Middlesbrough and Tony in Ipoh, Malaysia, the brothers were of part-Chinese origins, a rugby rarity in itself, and they spent some of their childhood in Malaysia. Rory’s first cap was against Ireland in 1984. Most of his caps were won on the left wing, but he could play more than competently on the right side (his English record-equaling total of five tries against Fiji at Twickenham in 1989 came when he was playing on the right wing side).
Rory’s Air Force commitments meant he missed several England tours, which meant his test match tally could have been even higher. This popular and dynamic England star was a member of the England team which contested the three Rugby World Cups, in 1987, 1991 and 1995; he played in three Grand Slam-winning England seasons, plus four Five Nations titles. He played in the 1991 World Cup final at Twickenham after scoring four tries in the lead-up games. He also toured with the British Isles to Australia in 1989 and to New Zealand in 1993.
Tony Underwood first came to the fore in 1989 when he appeared for Barbarians Club against the touring All Blacks at Twickenham. He made the England team for a tour to Argentina the following year but did not play an actual test until late in 1992. As his brother Rory was on the other wing (v Canada at Wembley) they became the first pair of brothers to play in an England team since Arthur and Harold Wheatley in 1938.
The forte of Tony’s game was blistering acceleration and a huge confidence to use it well. He toured New Zealand, with his brother in the 1993 British Lions and the two also shared England’s Grand Slam win in 1995. Tony had a second Lions tour, to South Africa in 1997.
At the 1995 World Cup in South Africa Tony had the extremely unenviable task of marking a rampant Jonah Lomu of New Zealand in one of the semi-finals games. Sadly, for England’s hopes at that tournament, and the memory of Tony Underwood as an international player, the video of him being repeatedly trampled underfoot or run around by the giant-sized Lomu, as he went on to score four tries, has been played over and over again. Tony deserved better than this. At his best he was a top player capable of many good things on the field, and like his brother, one of the best wingers England has ever produced.
Who was known as 'The Olympic All Black" - and why?