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20 August 2017
I watched a lot of Colin Meads playing on the rugby field. I am of the age that can say that. Shamelessly I can say I loved the way Colin Meads changed the game for previously lumbering second row forwards, which I was myself, albeit at a club level only. Meads showed us all another way to play.
But having been paid to talk about rugby, and follow the bouncing in my career I modestly claim to be ablre to judge players of a certsain time and type against each other on the field of plzay.
In writing this piece (which first appeared this winter in 'NZTODAY' magazine) I only claim to be able to offer one man's opinion. So here goes with my reflections as swhere I feel Colin Meads sits in the Pantheon of New Zealand rugby stars.
[A further backgrounder; I once shook hands with and had a few beers with the great Billy Wallace of the 1905-06 All Blacks - which I mention only to emphasise how far back I can go to at least talking to old players and weighing up what their opinions were too.]
in 2016 I went on TV1’s breakfast show when it was confirmed the great man of the modern All Black rugby scene, Richie McCaw, had retired. The then Prime Minister John Key was on the same show being interviewed in his regular Monday slot. I was next on.
To finish Mr Key was asked to comment on McCaw's departure and reflect on his place in the game of rugby in New Zealand’s history. The PM replied along the lines that ‘Richie was the greatest’ and he gave good reasons to back up his view. Fair enough. One man's opinion.
I was on next, principally to also talk about McCaw. ‘Do you agree McCaw is now the greatest All Black?’ I was asked.
I think I spoke firmly when I said, ‘No I don’t. To me there are two men above McCaw – they are those who changed the way the game is played in the world. One is Colin Meads and the other - Jonah Lomu.
My rationale was that ‘before Meads came into rugby, physically big men ho wanted to play were automatically put into the forwards to push, scrum and jump in the lineouts. They did little else in the game, except perhaps to trudge to do the same thing at the next set play.
Colin Meads broke that mould. He was the first forward to run fast, athletically, with the ball in his hand, while dummying and swerving. Soon every team in the world had running forwards trying to be like Meads. They still do today.’
I also added that Lomu came out of the Meads manner of making change. Except that Jonah was the first athletic big man to be sent to play in the backs; now every team has Lomu lookalikes.
So Colin Meads in his time was a revelation in the way he played. It must be said he was not a saint or a perfect person, but young watchers of the game these days who see the grainy videotapes of him in action perhaps do not realise that brute play and physical domination, sometimes by force or intimidation, while not approved, often had to be a big part in your team’s chances of winning. That’s how life was then. There were no touch judge flags, no video replays, no TMO’s; just basic retribution handed out on the field if necessary.
Meads was very good at presenting his authority (or unorthodox ball-winning strategies as one writer called it) during any game he played.
But the other very significant thing I love about the Meads legacy is that when his time on the playing field was over in 1971 (and he was an All Black for 15 seasons) he continued to give so generously to the national game and its image.
It could be said that by the number of times he journeyed up and down the country talking rugby to clubs and sporting organisations, by entertaining people as one of the all-time great after-dinner speakers (always with a beer in hand), and helping those in need, via significant, worthy but sometimes tiny and insignificant charities, he perhaps gave more to his country than he may have given to his family or even himself. Colin Meads has made in his life an unaparalleled offering to everything near or around what is, some might say, just about following a bouncing ball.
What I saw in Te Kuiti with the unveiling of the statue of him this year, and with the opening of the Meads Brothers Exhibition which also honoured his brother Stan, then the afternoon’s ‘bit of a tribute do’ dinner (as it was lovingly but officially called), and the crowds blocking the street to see, touch and be near him one more time, was something this absolute fan will never forget.
It's only one man's view - but I say it's Meads #1, Lomu #2 and Richie McCaw for leadership, commitment and longevity, #3.
by Keith Quinn
New Zealand's sevens team had won four gold medals in a row from 1998-2010 but on this day at Glasgow in the final New Zealand fell to Kyle Brown's South Africam by 19-12. A great rugby era had ended.
Founded in 1884, Abertillery is another of the traditionally strong scrummaging Welsh club teams which always provide rugged opposition. The club has rarely dominated the Welsh scene, but in combination with neighbouring Ebbw Vale has provided many a touring team with strenuous mid-week opposition.
Abertillery has a pretty home ground, The Park, situated at the foot of the mountains and it is there that Haydn Morgan discovered his love of rugby and a talent that was to make him the club’s most celebrated Welsh cap. Morgan, a ﬂanker, played 27 times for his country and toured twice with British Isles touring teams – to New Zealand and Australia in 1959 and to South Africa in 1962.
Other prominent Welsh internationals from Abertillery have been Alun Pask (26 internationals for Wales between 1961–67 and two tours with the British Isles – to South Africa in 1962 and to New Zealand in 1966); John Webb (20 internationals for Wales 1907–12 and with the British Isles in South Africa in 1910); and Allan Lewis (six caps for Wales 1966–67, and a New Zealand tour with the British Isles in 1966).
Abertillery plays in green and white hooped jerseys. It celebrated its centenary in 1984 with a match against a touring Japanese team. After a close encounter, Japan won 17–13.
Which Irish rugby player of modern vintage has the nickname of '36?'
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